Wednesday, October 17, 2007
Call me naïve, La Chinoise, Jean-Luc Godard’s 1967 film about revolution-minded students is far from outdated, despite the reviews I’ve read.
Visually, the film feels entirely fresh, with each frame dappled deliberately with red. Text, still photographs, interviews, theater, musical interruptions all combine to form a true inquiry into change, political action, and role of art. What makes the film complex, also, is that doubt about revolution plays a role in the film as well. Violence is questioned, and also ridiculed. So, you’re not left feeling like you’ve just been told the one and only way.
All this reminded me how there’s very little room to talk about radical change without being labeled irrelevant, or worse, outmoded. While revolution may not happen over night, it’s the spirit that is so energizing; such a relief from the drone that a better world is idealism.