Jonathan Meese installation shot. Some show in Paris.
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Curator Todd Levin’s pics on Facebook of the Basel Art fair,
paired with Jerry Saltz’s comments, are fun to look and read through. Mr. Saltz
uses the word “trust” as a reaction. I think that’s an apt nuance of the word
“like.” When you see art, you sense whether it’s for real, or whether it’s
pseudo. You gather clues, and your gut tells you so. For example, a painting by
Jonathan Meese seems interesting on the surface – like Basquiat or something
- but don’t trust it! That guy is
full of hot air.
I think I have to start using the word trust to gauge and goad
what I’m doing in the studio. Often I have an urge to do something but I stop
myself because I think it’s a gimmicky solution. I can trust that reflex. But I
can also trust myself through a risky move too, even if I know the trappings
beforehand.
Like incorporating words. That’s often one of the easiest
solutions for me. Add words to sum up what I’m
driving at, have the letters work graphically. Plus it’s cool. So I force
myself to stay away from them and stick with other formal tools. But I think I can trust
myself through the incorporation of language, whether it’s visible or not.
Well, we’ll see.
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