Thursday, October 20, 2011

Going beyond

What I’m trying to figure out is why mankind’s first images have such a contemporary feel. Is that work relevant to – even significant to - our times other than formally, esthetically?

Formally, esthetically speaking, the work lives on today because it lives: high-contrast patterns are energetic and bold lines are vectors. Furthermore, when images are schematic, they go beyond a specific time. Why is there no respect for the schematic? Is it because it’s not observed, because it’s not what we see with our eyes? Some schematic images can look like generalizations, but others are metaphors, they point to something bigger.

Schema: A pattern imposed on complex reality or experience to assist in explaining it, mediate perception, or guide response.

But why is it relevant to our times? I’m not really sure.

This art is pre-self. There is no turning inward, no me-reflection, no depiction of subtle emotion (brains then just didn’t do that yet). The images these cultures made served as consciousness. They were used as consciousness. Art today can expand our consciousness. So the connection must have to do with consciousness. With letting go of the self. With making a leap outside of ourselves and into understanding.

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