One thing is for certain. If you can just get into a kind of hypnotic state in the studio, in which you do without thinking, it’s best. I would say this happens about 3% of my time there.
The practice of making seems most fruitful when the voices clear out, and identity falls. This doesn’t mean the struggle falls, just that it’s given room. Just for a second.
I’d like to get my 3% rate up to about 25%. Any more would be unwanted, I think. As if the hypnotic state had become the way. Definition is narrowing, although intention is necessary.
If I could only get at what is not neatly bundled.
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